| All John Mason's
hymns were written in the same metre, yet he can produce both the grandeur
of 'How shall I sing that majesty'
and the gentleness of this evening hymn. Together, they show Mason's strong
sense of the greatness and the providence of God, His transcendence and
yet His closeness. We see again Mason's personal relationship with
God, expressed so strongly in 'I've found the pearl
of greatest price'. And, as in 'How
shall I sing that majesty', he asks God to help him worship.
The opening of this hymn is based on Psalm 141: 'Let my prayer be set before thee as incense, and the lifting up of my hands as the evening sacrifice'. Striking imagery often makes his hymns memorable. In the second verse the ingenious small-scale picture of life as a book, with the pages days and every letter a mercy, contrasts with the vast images of sea and sun in 'How shall I sing that majesty'. Both end with thoughts about time and eternity. This modern version below is unusal in being the same length and verse form as the original. As can be seen from the earlier version at the bottom of the page, the only variation, apart from punctuation and capitalisation, is that the second half of verse three below appears as the first half of verse two in Mason, with all the other half verses moving down one place. It is shown alongside 'O thou who camest from above' as Charles Wesley (1707-1788) clearly drew on Mason’s hymn. |
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Now from the
altar of my heart
This day God
was my Sun and Shield,
New time, new
favour, and new joys
Lord of my
time, whose hand hath set
As it appears in the 1859 edition Now from the Altar of my Heart Let Incense-Flames arise; Assist me, Lord, to offer up Mine Evening Sacrifice. Awake, my Love; Awake, my Joy; Awake, my Heart and Tongue: Sleep not: when Mercies loudly call,. Break forth into a Song. 2.
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O thou who
camest from above
There let it
for thy glory burn
Jesus, confirm
my heart’s desire
Still let me
prove thy perfect will,
of Mason’s
Songs of Praise
4.
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